New “Blade” Sign at Charles Playhouse “Hysterically funny.” “Visually stunning.” “Wildly inventive.” Those are some of the salutatory words used to describe the Blue Man Group‘s show, Tubes/Rewired/NowMoreWow, currently in residence at Boston’s historic Charles Playhouse, 74 Warrenton Street. Since the Blue Man Group began performing at the Charles Playhouse, back in 1995, its three members have felt extremely comfortable there in the heart of Boston’s theater district. The venue, which first opened its doors in 1958 in a building that dates from 1839, easily lent itself to the group’s “multi-sensory” show, which combines elements of theater, percussion, and visual arts, in an unlikely mix with both science and vaudeville. Audiences have responded enthusiastically, making the Blue Man Group‘s show
With a degree in Mechanical Engineering from Worcester Polytechnic Institute (WPI), Corey Fisher is a man who knows how to make things. He enjoys the challenges that come with the signage industry and takes pride in the products he helps create. Corey first started with Metro Sign and Awning about 10 years ago as a technician, a role which soon developed into an estimating position. About a year later, an opportunity arose for Corey to join in partnership with the existing owners: Brian Chipman and Tom Dunn. “Throughout school, I was always interested in CAD design and CNC machining, which just so happens to have many applications within the signage industry today,” says Corey, “so I asked Brian and Tom
It’s a little bit too technical for the kind of blog this is primarily intended to be, but for a long time we have wanted to write up something about the extensive efforts we make to keep ourselves qualified for work with General Contractors. As you may know, GCs on major construction projects are subject to a wide range of standards and specifications that control not only how they operate, but how the subcontractors they hire (that would be us!) must also operate. If we don’t conform to their high standards, GCs simply cannot trust us with any work. So we here at Metro Sign and Awning spend a considerable amount of time, effort, and resources making sure we’re qualified
If you’d watched us work for the past couple of weeks, you might’ve thought we were going around in circles. And in a way, you’d be right. We’ve been working on another large wayfinding signage project, and the number of details outnumber the number of signs by about a thousandfold. We’re not complaining, or bragging – that’s just the way wayfinding projects (and most others, really) seem to go. If you’d like to see a few of the details and understand some of the principles behind a wayfinding signage project, the AIA (American Institute of Architects) created an overview document a few years ago, which is now freely available. If you have questions about wayfinding signage or would like to
For Jamie Potvin, the process starts when information about a new project begins to trickle in through one of the sales team members. Over the next days and weeks, she steeps herself in the client’s history and strategy, various signage suggestions, client and team requests, and specific requirements, as well as any graphic elements such as client logos that are already available. She also likes to look at comparable signage of the same size and classifications that’s already “out there” in the community. Then she dives into the design process. With more than fifteen years of experience, Jamie likes to start a project by working on some “looks”: rough sketches and simplified renderings of the new sign’s essentials. She’s usually
To most of us, beautiful designs just spring full blown from nowhere in particular. But in reality, the polished look of all the objects we see – complete with all the associations each one brings to mind and the various messages and feelings each one conveys – are the result of much hard work by a visually-gifted group of people who work as “designers”. Metro Sign and Awning is well staffed with a group of designers who routinely make clients’ visions come to life in three dimensions. One of these is Susan MacGregor, Senior Designer, who is responsible for creating the drawings that will later be turned into signs, as well as for the presentation visuals shown to clients for
As Shakespeare wrote (Act II, Scene 2, “Romeo and Juliet”): “What’s in a name? That which we call a rose by any other name would smell as sweet.” But Shakespeare never met a modern consumer, beset on all sides by a wide variety of choices and aggressively courted by all manner of tempting offers. In today’s economy, the right name can make all the difference between one type of flower that sits unappreciated on a shelf somewhere and another, very similar, type of flower that shows up in every suitor’s hand as he nervously rings the doorbell of his beloved. While Shakespeare had some reason to believe in those simpler times that names didn’t really matter much, the Bard of
Cabinet maker, sign maker, account manager. Mark Vella is a “hands-on” kind of guy who very much enjoys working with Metro Sign and Awning’s customers, finding out what each one needs in the way of signage, and helping to deliver it. After a varied career first working with wood, then later with signage materials, Mark found his way to Metro Sign and learned his true calling: making contact and working with contractors, architects, building owners, and just about anyone who has a message to communicate and needs Metro Sign to give it solidity and dimension. Mark keeps his ear to the ground, searching out potential projects via a wide variety of industry channels. He also actively develops relationships through which
The long-awaited opening of the Waterside Place 20-story luxury mixed-use tower is now history. The gala celebration culminating the massive amount of design and construction work that began in June, 2012, included Boston Mayor Martin J. Walsh, Massachusetts Port Authority officials, and John Drew, whose Drew Company actually led the building’s development. Waterside Place is the newest of the many residential options now being built in the Boston region. Metro Sign & Awning has been fortunate enough to be asked to play a significant role in these projects. Many developers, architects, designers and business owners choose us to help with signage, awnings and canopies due to our knowledge, expertise, and skill-set, as well as our reputation for getting the job
Pretty much any sign you can think of, we can make for you. But that doesn’t mean you can get government approval to place that sign where you want it. In fact, the process of getting approval for business signage is a lot more complex than you probably imagine. It involves dealing with many different departments, agencies, and governments – depending on where you plan to place the sign – and it also involves meeting a myriad of specific limits, requirements, and standards that may or may not seem entirely sensible to you. In Boston, just to begin somewhere, the approval process requires that we submit an application to the Boston Redevelopment Authority for what they call their Comprehensive Sign
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